In December 1999 Steve Jansen was invited by Italian keyboardist,
composer and producer Claudio Chianura to join him and two
additional Italian musicians (Roberto Zorzi, guitar and Piero
Chianura, keyboard effects) for a semi-improvised live performance
to a special screening of the renowned Dziga Vertov film
Kinoapparatom (or 'Man with a Movie Camera') at the Palazzina
Liberty in Milan.
Vertov was one of the most unorthodox artists in the Soviet avant-
garde movement, both in his style, exhibited by his documentary
films, and his concept of cinema. Made in 1929 and inspired by
constructivism,Vertov wanted to create an international film
language. He thought that the perfection of the camera, the new eye,
was without limit and believed in the ability of the machine to
reshape the world. For Vertov, viewing a film was as much about the
camera lens and the projector as it was the moving pictures on the
screen. He wanted movie-going audiences to collaborate in his films
and be seduced by the future that machines promised.
With only very limited rehearsals and the minimal use of equipment, the four musicians communicate their craft
through the eye of Vertov, their instinctive reactions to the striking images guide their performance. What emerges is
an abstract and intense work where transient tones are dispersed by evolving moods. Dark substance carried on
mechanised rhythms, fragile and impending, a sense of future past. |